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• Morbi leo risus, porta ac consectetur ac, vestibulum at eros.
  • Donec id elit non mi porta gravida at eget metus.
    • Integer posuere erat a ante venenatis dapibus posuere velit aliquet. Aenean lacinia bibendum nulla sed consectetur. Vivamus sagittis lacus vel augue laoreet rutrum faucibus dolor auctor.
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• Cras mattis consectetur purus sit amet fermentum. Vivamus sagittis lacus vel augue laoreet rutrum faucibus dolor auctor.

1. Morbi leo risus, porta ac consectetur ac, vestibulum at eros.
   1. Donec id elit non mi porta gravida at eget metus.
      1. Integer posuere erat a ante venenatis dapibus posuere velit aliquet. Aenean lacinia bibendum nulla sed consectetur. Vivamus sagittis lacus vel augue laoreet rutrum faucibus dolor auctor.
2. Vestibulum id ligula porta felis euismod semper.
3. Cras mattis consectetur purus sit amet fermentum. Vivamus sagittis lacus vel augue laoreet rutrum faucibus dolor auctor.

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Morbi leo risus, porta ac consectetur ac, vestibulum at eros. Donec id elit non mi porta gravida at eget metus. Integer posuere erat a ante venenatis dapibus posuere velit aliquet. Aenean lacinia bibendum nulla sed consectetur.

Cras mattis consectetur purus sit amet fermentum. Praesent commodo cursus magna, vel scelerisque nisl consectetur et. Praesent commodo cursus magna, vel scelerisque nisl consectetur et.

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Morbi leo risus, porta ac consectetur ac, vestibulum at eros. Donec id elit non mi porta gravida at eget metus. Integer posuere erat a ante venenatis dapibus posuere velit aliquet. Aenean lacinia bibendum nulla sed consectetur.

Cras mattis consectetur purus sit amet fermentum. Praesent commodo cursus magna, vel scelerisque nisl consectetur et. Praesent commodo cursus magna, vel scelerisque nisl consectetur et.

Sub-subheader (H4)

This work is attributed to the fifteenth-century French painter Jean Bellegambe who specialized in diptychs and triptychs, double and triple folding panels that were installed above church altars to inspire the faithful with portrayals of biblical scenes. This piece could very well have been one of those panels.

The story is, of course, about two women, both cousins and pregnant, one younger and the other older, who come together to rejoice in the children they bear and the prophetic import these births will have on the world. Mary on the left is carrying Jesus, the long-awaited Messiah and on the right her cousin Elizabeth is bearing John who will eventually baptize Jesus. Let us look at some shapes to see how the structure informs the message and supports the story. See how Mary’s tall figure on the left counterbalances the tall tree on the right. The tree also serves the purpose of dividing the panel in two to emphasize the distinct roles of the women and their children. But the essence of the story is not about division; it’s about coming together from afar, full circle. Note how the women’s arms and hands, almost clasping, form an arc that is repeated in reverse by the curve of the bushes behind the women to form a complete circle.

Morbi leo risus, porta ac consectetur ac, vestibulum at eros. Donec id elit non mi porta gravida at eget metus. Integer posuere erat a ante venenatis dapibus posuere velit aliquet. Aenean lacinia bibendum nulla sed consectetur.

Cras mattis consectetur purus sit amet fermentum. Praesent commodo cursus magna, vel scelerisque nisl consectetur et. Praesent commodo cursus magna, vel scelerisque nisl consectetur et.

Integer posuere erat a ante venenatis dapibus posuere velit aliquet. Aenean lacinia bibendum nulla sed consectetur.

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